The upcoming publication, part of Yto Barrada’s project for the French pavilion at the Venice Biennale, is generating excitement in the art community. Scheduled for release in the summer of 2026, this book promises to delve into the intricate world of textiles, weaving together various perspectives and narratives.
Central to the publication will be a glossary that focuses on dyeing, fabrics, and textile techniques. This glossary aims to highlight polysemous terms, showcasing how meanings can shift depending on context. This thoughtful approach reflects Barrada’s commitment to exploring the nuances of cultural expression.
In a unique format, the book will feature ‘plates’ where images take precedence, with text thoughtfully positioned in the margins. This design choice seeks to subvert traditional Western book conventions that prioritize text over visuals, inviting readers to engage with the material in a more dynamic way.
The publication will include an introduction by curator Myriam Ben Salah, who has been instrumental in shaping the project’s vision. Additionally, an essay by anthropologist Arnaud Dubois will provide further context and depth, while historian Marcel Bénabou contributes an unpublished piece that promises to enrich the discourse surrounding the themes presented.
As Barrada’s work continues to evolve, the publication is expected to extend the experience of the Venice exhibition, offering insights that resonate beyond the physical space. Observers are eager to see how this project will unfold, particularly in its ability to connect diverse narratives and foster a deeper understanding of textile art.
“In this ‘subjective encyclopedia’, the reader forks and drifts at the whim of associations and cross-references, notably to the introductory glossary,” a statement from the project highlights, emphasizing the interactive nature of the publication.
With the release date set for 2026, anticipation is building within the community as art enthusiasts look forward to engaging with Barrada’s innovative approach to storytelling through textiles. The project not only reflects Barrada’s artistic vision but also serves as a platform for dialogue around cultural practices and their representation.
As the publication date approaches, further details will emerge, shedding light on how Barrada’s work continues to challenge and inspire. For now, the community remains excited about the possibilities that Comme Saturne will bring to the forefront of contemporary art discussions.
